The "1958" dress was created during my capstone class as a key component of a group project. Our task was to conceptualize a comprehensive collection for a brand collaboration between Harley-Davidson and Dior. Our collection, Jacinthe, aimed to juxtapose Dior’s French elegance with Harley Davidson's rugged workwear while looking into the philosophy of both brands for garments that feel both free and powerful. For this dress, I looked to the past for inspiration. The iconic 1958 Cadillac convertible acted as my guiding light while constructing this dress. I wanted to translate the sleek lines and audacious flair of its triangular tail fins into the silhouette of this avant-garde dress. The 1958 dress is crafted from black neoprene and cowhide leather to create a modern yet timeless look. The bold, angular, and unapologetically sharp shoulders act as the key feature of this garment, echoing the daring spirit of the Harley Davidson brand. Each stitch and seam tells a story in a dress that demands both attention and admiration.

My name is Elena Aukamp. As a designer, I aim to make clothes that embody my unique, artistic, feminine soul.

Cerise, meaning “cherry” in French, is a denim-on-denim look that consists of an edgy, asymmetrical jacket with red, cherry-like accent buttons, an asymmetrical, frayed hemline, and gathered sleeves for an unconventional look. This jacket compliments the wide-leg jeans that are included, conveying an oversized, dramatic streetwear look with a flap flowing out from the side and attaching near the waist, and a red lining on the inside, which reveals itself when walking. The denim fabric used is all upcycled, with the goal in mind being to make this look as sustainable as possible. Cerise is for the bold and the fashionable and can make a statement anywhere.

Anna Hyde is an Apparel Design major from Wheaton, Illinois who specializes in designing womenswear and is passionate about creating sustainable garments.

"Gallantry" is part of a larger project called "Jacinthe" - an apparel collection designed for a proposed collaboration between Harley-Davidson and designer house Dior. Our goal was to create a new image for Dior that appeases the youth but will also withstand over time -- A new "new look" if you will. With inclusivity at the forefront of modern fashion, our group felt the ultra-feminine aesthetic from Dior could use a facelift. We concluded that Incorporating feminine details into men's fashion and blurring the lines between gender will draw in the new generation while keeping true to the heart of Dior. "Gallantry" is a men's look featuring a leather vest and two-toned taffeta pants. The vest, with a cropped silhouette and hand-crafted leather flowers, demonstrates our goal of creating a new look for men that is still masculine, but experiments with touches of femininity. To create the Harley-Davidson logo, I worked with the Auburn Maker Space to have custom letters laser-cut. The pants, modeled after the zipper detail at the cuffs of a classic leather jacket, added a transformative aspect of the look, allowing the wearer to give them a wide or more narrow leg

None provided

In November 2021, I attended Astrofest and was among the many affected by the tragedy. Surprisingly, the aftermath proved more challenging than the near-death experience itself. I saw a therapist for months after to deal with the trauma I was living with. I still struggle with claustrophobia and feelings of anxiety. November 2022 was one year since the event, and instead of letting depression sink in, I decided to channel that energy into creative expression. I designed this ensemble in response to my feelings toward Astrofest, drawing inspiration from the phoenix displayed before the crowd surge—the last image I remember clearly. The phoenix symbolizes immortality, resurrection, and renewal. According to legend, only one phoenix exists at a time, living for 500 years before igniting itself in self-renewal. From its ashes emerges a new phoenix, embodying rebirth. The corset, constructed with polyester satin, canvas, and brocade, features ribbon closures through grommets. The skirt, crafted from red-black ombre organza lined with black polyester satin, mirrors the hues of the phoenix. Derived from ancient Greek, "phoenix" translates to "red," symbolizing its fiery nature.

A fashion designer utterly screaming my emotions through my work.

French for “Born Again,” the Renee Corset is designed to blend the classic European elegance of Dior with the rugged power of Harley Davidson. It pays homage to Dior’s love for flowers, features exaggerated wire sculpted hips to mimic Dior’s “New Look” introduced in the 50s, and incorporates Harley Davidson’s signature edge through leather fabrication and sharp details. This structured bustier is fully lined, boned, and features a grommet style closure at the back to allow for exaggerated cinching at the waist. The hand sewn leather rosette at the corset’s center and the gathered mermaid skirt play into current trends of prom opulence and dramatic sheer movement. The Renee ensemble accompanied 5 other looks designed by my peers for our capstone collection, “Dior x Harley Davidson: Jacinthe” which went on to win the “Best Capstone Collection” award at Auburn's 2023 Annual Fashion Event.

A whimsical designer dedicated to quality craftsmanship whose work blends sharp tailoring and soft curves to showcase the power and allure of femininity.

This piece was part of an extension line of the luxury womenswear brand Proenza Schouler. The line extension is an all-inclusive line titled Tous Inclus, broadening the brand’s horizons from its traditional womenswear pieces. This specific garment from the line features an oversized drop-crotch trouser completed with an elastic waistband. The pants are also finished with elastic cuffs around the ankles, creating a more exaggerated silhouette within the center of the pants. The colors in the garment and the overall collection were intentionally chosen for their saturated hues and sophisticated appeal. You can see the pops of red and neon yellow accented on the overlap pocket of the pants. To elevate the classic trousers, the pants are cowled on each of the sides creating more texture and an exaggerated effect to the side seams. This design element was intentionally placed to keep in touch with Proenza Schouler’s classic cowled skirts seen on the runway, tying this collection to the brand. As a young designer, I’m still finding myself and love going outside the box and creating from new perspectives and I believe this piece allowed me to grow and learn in that aspect.

My goal as a designer is to encourage confidence and self-expression. I hope to present creativity that inspires others to pursue their dreams.

The submission will be Look 1 for a planned 3 look senior collection that will be presented at The Gouge for The Fashion Event on April 12th. This mini collection is born out of an infusion of the two most influential elements of my childhood, my small town deep south roots and love for video games. The main motifs presented are those of old school hunting apparel, southern ephemera, with a medieval undertone. This specific look will feature a 1920’s deerskin back panel, self dyed moleskin fabric, hardy zippers, 20th century sporting buttons, and an early 20th century handwoven heirloom cotton gingham from the suburbs of Shanghai.

Sullivan Calton is a senior in the Apparel Design program. His focus is in creating well made, hard wearing, sustainable clothing that harks on classic silhouettes.

This lamp evokes the memory of a pinwheel pirouetting against the breeze on an ocean, with its brightly colored frame reminding the hue of palm tree fronds. This design draws the viewers' attention towards the peak of the shade, curved lines that carry across the cotton paper, and cuttings of bamboo layered, symbolizing strength, flexibility and growth. The small parasol may soothe the attention of viewers into its durability, but the intelligent and sustainable lamp transforms into a layout that calls upon features beyond its light. Designer, Joe Champagne, fleshed out the idea from the Japanese umbrella maker in Kyoto, Hiyoshiya, which embodies delicate techniques working with bamboo. He states, "Creating this piece took time, creativity, and expertise." As night falls, this lamp creates moments of serenity, with its thick paper shade, allowing the gentle, warm beams to be casted below. The African mahogany wood base is from the deciduous forest of Ghana. With its interlocked grain, this piece has a reddish-brown hue, giving the design a hardy footing. The shade is made from natural cotton paper dyed with Solidago, commonly called golden rod.

I am a Junior in the Horst Schulze School of Hospitality Management in Event Management.

Our design for Aflac Insurance's new headquarters in Boulder, Colorado, draws deeply from the vintage alpine aesthetic and the natural beauty of the surrounding mountainous terrain. From the outset, we approached the project collaboratively, ensuring that every step of the process addressed not only the spatial, ergonomic, and sustainable needs of the users but also reflected the company's brand identity in a visually captivating manner. Extensive research into Boulder’s unique character inspired us to create a narrative that merges corporate life with the warmth and charm of its environment. The design concept, built around the theme of postcards, invokes nostalgia while celebrating the city's history and landscape. Graphics inspired by mid-century modern and modernist styles, paired with earthy hues, helped us to establish a cohesive connection between Aflac’s brand and the natural surroundings. Each element of the design brings together the past and present, creating a welcoming and innovative workspace that embodies both Boulder’s heritage and the future of corporate design

Riley Harrison, from Houston, Texas, is passionate about Auburn’s design program and serves as Co-President of The Societies, eager to shape her future in interior design.

Joelene Burrows |
Human Sciences
Consumer & Design Sciences
Interior Design

Joelene Burrows, from Grant, Alabama, will graduate in Fall 2024 and plans to return to the Plains to pursue her master’s in interior design.

Kinley Cook | Undergraduate Student
Human Sciences
Consumer & Design Sciences
Interior Design

Kinley Cook, from Trussville, Alabama, has cherished her time on the Plains. After graduation, she plans to pursue a career in commercial design

“Tri-2100: A Sustainable Triathlon” Erika Donley, Zach Smith and Steven Hoskins “Tri-2100” is a triathlon & trail system seeking to bring awareness to the increasing severity of coastal erosion and sea level rise in the Grand Bay region. The triathlon focuses on three important time periods that reveal how Grand Bay's coastline has been impacted by climate change. Participants start by Kayaking 14 miles along the historic coastline from the 1800's, which is now part of the bay. Next, they bike 6.5 miles along the current coastline. Then, participants finish the triathlon by running 7 miles along the projected coastline for the year 2100. According to NOAA, the National Oceanic and Atmospheric Administration, by the next century, over 60% of the land mass in the Grand Bay region will be lost to rising sea-levels. The aim of Tri-2100 is to provide a socially-engaged and activity that raises awareness about climate change. According to The World Economic Forum, “Sport can be a vehicle for well-being, tolerance, and a means of raising awareness and lessening the cultural divide.” As an athletic event, Tri-2100 has the potential to create lasting positive activity at the Grand Bay Reserve that is educational and scientifically informed. “Tri-2100” was developed during a Biodesign studio class. As part of the studio, students visited the Grand Bay National Estuarine Research Reserve, along the Gulf Coast. Their aim was to use strategies from the emerging field of biodesign [1] to raise awareness about ecological issues at the Grand Bay Reserve. [1] Biodesign is a multi-disciplinary approach to design that uses organic materials to address ecological issues.

Hannah Duff is a senior in the Graphic Design program. As a multi-disciplinary designer, Duff has worked with print design, digital design and bio-design.

Jordan Harmon |
Architecture, Design and Construction
School of Industrial and Graphic Design
Graphic Design

Jordan Harmon is a senior in the Graphic Design program. As a multi-disciplinary designer, Harmon has worked with print design, digital design and bio-design.

Alyssa Jackson | Undergraduate Student
Architecture, Design and Construction
School of Industrial and Graphic Design
Graphic Design

Alyssa Jackson is a senior in the Graphic Design program. As a multi-disciplinary designer, Jackson has worked with print design, digital design and bio-design.

This project aimed to create an mechanical automata that performs three distinct actions. Designed for young learners, the kit is not only fun but also intended to promote hands-on learning in an age of increasing digital entertainment. The automata's playful reversal—where the bull rides the cowboy—adds a clever and humorous twist, encouraging children to think creatively and explore unconventional ideas. The bright, friendly aesthetic of both the toy and packaging is tailored to captivate a young audience, making the kit an appealing choice for parents seeking toys that support their child’s learning and development. Through assembling the automata, children gain insight into basic mechanics, fostering problem-solving skills and boosting self-reliance as they complete the project independently. This hands-on experience nurtures creativity while offering a tangible sense of accomplishment. In essence, the Bull Riding Automata Kit invites children to embark on a journey of imaginative play and learning, blending education and fun in an engaging, memorable way.

Senior Industrial Design student dedicated to blending creativity and functionality to enhance everyday experiences through innovative design solutions.

A precedent is something that came before. Every furniture piece used in the world today is here due to something that came before it, and therefore based on a precedent. When it comes to set design, choosing a piece that fits historically with the time period that the film is set in and carries additional, often subliminal, plot-related meaning is crucial. While all furniture has precedents, chairs are among the most recognizable, especially when used in film and TV sets. How a film is perceived and performs coincides with the ability to make the audience feel as though they’re immersed in a world that isn't their own—through excellence in set design, which involves a deep understanding of precedence. Through being immersed, the set design speaks further about what the actors can’t express. The purpose of this magazine is to analyze iconic set design through the precedent, considering why the director and set/production designer made the choices they did. On every single spread, you will see a rotten tomatoes rating somewhere on the page, which is based on the audience ratings of the movie or show. Keep in mind-anything under 60% is considered “rotten”.

Darby Huber, a senior at Auburn University’s Interior Design program from Leesburg, Virginia, is driven by a passion for learning, exploring all aspects of design.

Overview: Contagion is a gripping thriller that follows the rapid spread of a deadly virus and the global efforts to contain it. The title sequence captures the essence of the film’s narrative arc: origin, spread, and impact. Through a combination of stark visuals and an unsettling auditory experience—the sequence explores the themes of fear, interconnectedness, and societal fragility in the face of a pandemic. Design Approach: The visuals in this piece stem from a rigorous experimentation process with materials like ink, oil, water, and alcohol, which simulate virus particles under a microscope. The microscopic view allows for seamless transitions into familiar scenes of urban streets, masked individuals, and lab scientists, symbolizing the virus's emergence into daily life. Animated global maps illustrate its rapid spread, while abstract elements—like drops of ink in water resembling blood and light patterns filmed through decorated glass—symbolize the emotional and physical toll of the outbreak.

None provided

According to a US Environmental Protection Agency study, only 31% of glass dishes are recycled. This translates to approximately 7.6 million tons of glass annually in landfills (US EPA, 2022). The target goal of this project is to use the concept of design intervention to recycle an already existing material into something functional. The project includes different materials, all of which can be reused in the future or recycled. The idea behind this design is to embellish a bedroom by adding color and bringing in a sense of nature. Through the colorful, flower-shaped glassware and the smaller details, like different types of moss, this fixture serves to create a feeling rather than solely a light source. All eight pieces of glassware were intentionally placed by color - the red and green opposite to create a complementary color scheme and contrast each other. The pieces of glass are illuminated with a 4-watt, 120-volt, warm-white, C7 lamp - each cap coated with a “frosted” surrounding. Since the lamps do not have shades, this helps to prevent an uncomfortable amount of light on the eye and reduce glare, keeping elements of human-centric design in mind.

Third year Interior Design student, Sarah Prior, enjoys applying the skills learned at Auburn with creative liberties to produce personal work

This poster, designed for Hatch Show Print, serves both as an advertisement and decorative piece for letterpress enthusiasts. The bold letterforms are a combination of my own personal woodcuts and scans, as well as Mark Kusek's contributions from his "Without Walls" collection, celebrating the tactile nature of Hatch Show Print's century-and-a-half legacy in Nashville, Tennessee. The animated version brings the design to life as yellow letters enter the screen, set to country music, overlapping the alphabet to highlight the physicality of letterpress printing. The poster captures Hatch Show Print’s deep roots in country music and its ongoing commitment to the art of printmaking, making it a meaningful homage for fans and collectors alike._

Ainsley, a senior at Auburn University from Dallas, Texas, blends printmaking and motion design. Passionate about creativity, she crafts thoughtful, tactile designs with narrative depth.

Shinkansen, the Japanese bullet train, is a form of public transportation for commuters and tourists, allowing rapid travel between cities. With tourism rising in Japan, the need for efficient, well-designed train stations is increasing, providing an opportunity to study how interior design selections and spatial decisions create organized, easy-to-navigate commuter environments. Utilizing multisensory design, an approach that coordinates visual, auditory, olfactory, and tactile experiences, evokes emotional responses that enhance human perception of the built environment to positively shape behavior. Evaluating the multisensory interaction between train station design and human behavior reveals that lighting selections and acoustic considerations alter the way people navigate through space. Appropriate visual stimuli and spatial design create spaces that are both aesthetic and functional; overcrowding, a lack of navigational tools, and safety concerns for passengers induce high levels of stress and anxiety. This research aims to design a prototypical train station for Shinkansen using a functional, multisensory design approach based on current literature. This prototype will include innovative lighting choices that implement appropriate color temperatures and intensities, acoustic dampening systems to reduce mechanical noise, and design for the unity of all senses to facilitate supportive, organized transportation for commuters.

I’m Mia Conrad, a fourth-year Interior Design student from Winter Park, FL. I am passionate about residential design and helping others personally and professionally.

Designed for Johnson Controls' Headquarters in Cape Town, South Africa, this open-concept atrium features various seating for visitors and employees, a full service grab-and-go lunch and coffee bar, display screens to showcase Johnson Controls' mood imagery, and a "timeline" museum encased behind the display screens. The original columns from the iconic Johnson Wax Building (designed by Frank Lloyd Wright) are reimagined for Johnson Controls' mission, which moves towards modernization through technological advancements. These columns architecturally nod to Johnson Controls' current brand mark which is a series of illuminated lines of various lengths (with a dot on the endings). Wrapped around these round columns are curved seating options to utilize the square footage. The columns lead your eye to the glass ceiling which allows ample sunlight. To provide consideration for various weather, a dimmable window tint is applied, providing adaptability in the overall design.

My name is Madi Holland and I'm a senior in the interior design program. I enjoy creating beautiful and functional spaces for all to enjoy!

At the heart of Pittsburgh, Pennsylvania, the L’Oréal Corporation blends the essence of beauty with innovation, fostering a welcoming and empowering environment for employees while aligning seamlessly with L’Oréal’s mission and vision. We aimed to create a workplace where employees are inspired by the products they create and the environment they work in. Located in a prominent skyscraper in Pittsburgh, Pennsylvania, this project focuses on providing spaces for collaboration, large meetings, private offices, and individual workstations to promote creativity, teamwork, and productivity. Our design aligns with L’Oréal’s brand values, reflecting innovation, elegance, and a commitment to beauty and cosmetics. The research booklet showcases the graphic design concepts for L’Oréal’s new headquarters. It highlights the programmatic challenges faced in creating a workspace that embodies L’Oréal’s innovative and creative spirit while connecting with the local culture. Additionally, the 3D renderings highlight the materials, finishes, and give a glimpse of how the space would be utilized. Where creativity flourishes, this space will be where L'Oréal can continue to innovate, collaborate, and grow as a company.

Hallie is a Senior from Raleigh, North Carolina studying Interior Design.

Olivia Mayer |
Human Sciences
Consumer and Design Sciences
Interior Design

Oliva is a Senior from Louisville, Kentucky studying Interior Design.

Isabelle Smith | Undergraduate Student
Human Sciences
Consumer and Design Sciences
Interior Design

Isabelle is a Senior from Auburn, Alabama studying Interior Design.

Isabella Caswell | Undergraduate Student
Human Sciences
Consumer and Design Sciences
Interior Design

Isabella is a Senior from Alpharetta, Georgia studying Interior Design.

"Leading & Leaderboards" is a promotional poster and animation for a hypothetical lecture on arcade game typography from the 1970s through the 1990s. The lecture would be led by Toshi Omagari, a type designer and author of Arcade Game Typography, which inspired much of the poster's design. This project looks back at the golden age of pixel type and how it has evolved and influenced digital type today. Designers were limited to designing within an 8x8 pixel grid and managed to create a plethora of different typefaces in various colorways. These limitations influenced my choices in color, composition, and form. I used 1x1 squares within an 8x8 grid to construct the letterforms, while the color palette of yellow and orange was chosen for its frequent use in retro arcade games. The poster works to evoke a sense of nostalgia and playfulness that many feel for these beloved classics.

Caroline Webster is a senior in the Graphic Design program at Auburn University.

"Son, put the gun down. The war is over!" In this chaotic age, children are taught the inwardness of high moral standards and the history of war and hatred. Peace is seen as treason, radicalism as salvation. The war machine of the past has become a maintenance worker with a smiling face, and the man kindly looks at the child with a pistol and a helmet, telling the precious life of calm. The hope is that the coffin contains flowers, not the body of a loved one. The only things that haven't changed are the gulls, the fish, the whale sharks, and their homes.

Amateur scale model builder. Focuses on the main creative philosophy of civil rights ideology and humanism. Since 2014, I have made scale models, focusing on figures and science fiction themes. China and USA Champion, GUNPLA BUILDERS WORLD CUP 11th World Final USA representative.

Designed to address the problem of electric scooter theft, Lock Assist is a simple and effective solution to improperly locked scooters. Based on research conducted on Auburn campus, most electric scooter owners use bike locks to secure their scooters, but often improperly and with no way to anchor the lock to the scooter. Lock Assist is designed to be a scooter-specific securing method, that’s sturdy and simple. Comprised of an anodized aluminum clamp, anti-theft screws, and rubber inserts, the product can be easily secured around the scooter’s upright bar. It features a loop to pass a cable lock through, which after one-time installation, serves as an anchor point for the lock. The rubber pads prevent the clamp from sliding and come in two different sizes to accommodate different scooter types. Lock Assist is simple, specific and secure, and gives the user peace of mind when parking their scooter in public.

Catherine Russell is a Senior in Industrial Design from Austin, Texas. She is currently looking at careers in Exhibit Design and horse training.

Kendra Love |
Architecture, Design and Construction
School of Industrial and Graphic Design
Industrial Design

Kendra Love is a junior in the Graphic Design program. As a multi-disciplinary designer, Love has worked with print design, digital design and bio-design.

Carly DeSimone | Undergraduate Student
Architecture, Design and Construction
School of Industrial and Graphic Design
Industrial Design

No information was provided for this collaborator.

Art Deco, which took off in the early 1920s and 1930s, was heavily influenced by WWI, the Great Depression, and WWII. Artists mixed extravagant materials with bold, geometrical, abstract, and modern forms and patterns. This style was mainly aimed at the wealthy, while for many, these items were unattainable due to the cost. My lamp design focuses on being accessible and sustainable. Air-dry clay was used for the base since it’s sturdier than cardboard and lasts longer. I wanted to emphasize linear and geometrical aspects while connecting to modern design. Safaris-inspired Art Deco furniture is still a popular travel attraction to this day. When researching safaris, a common theme emerged: rocks and wildlife in many photos. Styling the base around the texture of rocks, uneven with different divots and marks on it, really emphasizes the texture of the base and its inspiration. Solid and long-lasting, clay is easy to revive after prior use. Just as add water and knead it, it can be recycled and reused as many times as needed. It is an eco-friendly product, non-toxic, and a natural material that comes from the ground.

Auburn Interior Design junior with a focus on Biophilic and Accessible Design. Hopes to create purposeful spaces of human-centered designs that positively improve people’s lives.

This chair symbolizes Frank Lloyd Wright's harmony of outdoor and indoor living. He believed in seamlessly integrating this concept to promote well-being and creativity. The quote etched on the cross rails is a quote from English poet, William Cowper, meaning you are in control of the environment in which you live in, work in, or play in.

I am a Junior in the Horst Schulze School of Hospitality Management in Event Management.

The Oracle Commercial Design Project in Charlotte, North Carolina showcases a forward-thinking, tech-driven design that blends brand identity with functional workspace solutions. This project was developed by students Sarabeth Elkins, Adair Hutchinson, and Fagan Leitner. Their collaboration resulted in a competition-winning design, drawing inspiration from the Oracle brand, the identity of Charlotte, and the retro-futuristic design movement. Design elements, such as curved corridors and utilizing the brand color scheme, are strategies the team used to integrate the brand identity into the office building. The team introduced a variety of spaces for both public use and private company work. Additionally, Oracle’s philanthropic efforts to educate future generations were prioritized through the implementation of an amphitheater and event space. Lastly, a virtual reality feature of the project (accessible with the QR code) is a nod to Oracle’s expansive and dominant presence in the technology world. Ultimately, the Oracle office building is a celebration of the company itself, the accomplishments of its employees, and how one can continue to “unlock endless possibilities”, especially within the workplace.

Sarabeth Elkins from Houston, Texas, is a senior in the Interior Design program who aims to work in Commercial and Hospitality design post-graduation.

Adair Hutchinson |
Human Sciences
Consumer and Design Sciences
Interior Design

Adair Hutchinson from Marietta, Georgia, is a Senior in the Interior Design Program who aspires to enter the Residential or Hospitality design field.

Fagan Leitner | Undergraduate Student
Human Sciences
Consumer and Design Sciences
Interior Design

Fagan Leitner from Birmingham, Alabama, is a Senior in the Interior Design Program and has a passion for Hospitality, specifically Restaurant, design and Product sales.

Throughout history, many names have gone unrecognized in their pursuit to transform the interior design industry into what it is today, particularly women in the field. Behind so many iconic chairs, vibrant textiles, or strong exteriors, is a woman whose expertise helped to mold and create a vision for what our world can be through the power of design. Through turning the pages of this book, the trials and feats that women spanning generations have endured come to light reminding us that through struggle and hardship something greater can prevail. It is a reminder that the collective power of women within the design field can inspire future generations to embrace creativity, fostering an environment where diverse voices can be treasured and design innovation can flourish. These women and their contributions to this field act as a beacon of hope, inspiring others to rise from the shadows and push the boundaries of what interior design can be.

Ellie Rea, a senior in Auburn University's Interior Design program, is passionate about research and lifelong learning to inform thoughtful, evolving design solutions.

Dina Kisseleva |
Human Sciences
Consumer and Design Sciences
Interior Design

Dina Kisseleva, a senior in Auburn’s interior design, trusts that effective design is created through understanding the past, learning through the present and envisioning the future.

Han NB Cao (Jen) | Undergraduate Student
Human Sciences
Consumer and Design Sciences
Interior Design

Han NB Cao, known as Jen, is a senior in Auburn Interior Design, believing that understanding historical context inspires meaningful designs that resonates with generations to come.

Programmatic diagrams are part of almost every design project we complete in the Interior Design program. They inform our space planning choices, help spark branding ideas, list out spatial and adjacency needs, and help us consider the zoning of different types of space. These particular diagrams were designed for a Smartwater Office building in Billings, Montana. Although the project has not been completed, we have begun to design building plans and furniture layouts based on these process diagrams. Most icons, diagrams, and branding elements are hand-drawn, using an iPad application called Procreate. However, the stacking and elevation diagrams shown are built in a software called SketchUp, which we frequently use to render and build out interior spaces in 3D. I thoroughly enjoyed the process of drawing and building these diagrams and am excited to see where our project goes from this point.

Hailey Pierce is an Undergraduate Interior Design student at Auburn University passionate about the design process from sketches to final renderings.

The Southern Type Assembly celebrates the tradition of hand-painted signage in the southern United States. Designed for the fifteenth annual Southern Type Collective in Seale, Alabama, the poster captures this heritage with bright colors and textured typography. The motion graphic highlights the process of sign painting, using fluid movements to showcase the handmade quality of the signs. This project connects audiences to the rich history of southern sign painting. It invites designers, historians, and the local community to explore and celebrate this important part of Southern culture.

None provided

This branding project aims to promote Whole Foods, enhancing its brand image and unique values. Whole Foods' brand vision is to provide customers with fresh, healthy, and sustainable foods. The creation of Sow Fresh extends these three consumer experiences through the sale of plant kits. These kits empower Whole Foods customers to start their own home vegetable gardens and enjoy the rewarding experience of harvesting and eating homegrown vegetables. Sow Fresh reflects its parent brand's commitment to healthy, eco-friendly food, aligning with customers’ shared values. The design for Sow Fresh includes packaging and point-of-purchase (POP) display designs that incorporate the generated brand identity system as the key design element. The end result is a package and POP display design that amplifies Whole Foods' brand image and effectively promotes its core values.

Senior Industrial Design student dedicated to blending creativity and functionality to enhance everyday experiences through innovative design solutions.

As a speculative design project, Gleam proposes that by 2027 all single-use plastics will be banned in Seattle, Washington, and a new glass recycling program will be adopted. Gleam features small drop-off locations in the city that use digital interfaces to deposit refunds directly into your digital wallet. The aim is to limit the impact of microplastics in our bodies and improve the environment through the movement to glass use.

Libby Storey is a senior in the Graphic Design program. As a multi-disciplinary designer Storey works with speculative design, print and digital design, and packaging design processes.

In 2027, the United States has become the epicenter of a global fight against AI-driven misinformation. The digital world, once a place of free expression and unregulated discourse, has been reshaped by the growing influence of advanced AI technologies capable of generating convincing but deceptive imagery and information. The rise of synthetic content—hyper-realistic AI-generated videos, photos, and even written articles—has blurred the lines between what is real and what is fabricated, creating a public crisis of trust. In response, the U.S. government has taken unprecedented action, leading to the establishment of the Transmissions & Communication Authenticity Agency (TCAA). This transformation of the digital world did not happen without resistance. In the years leading up to full compliance in 2027, social media companies fought back, arguing that the TCAA’s measures would disrupt user experience, stifle innovation, and impose significant financial burdens. Tech giants like X Corporation and Meta warned that the rigid framework of universal symbols and transparency labels would make platforms feel overly sanitized and bureaucratic, stripping away the sense of freedom that had once defined online spaces.

Rae Nawrocki is a junior in the Graphic Design program. As a multi-disciplinary designer, Nawrocki has worked with print design, digital design and bio-design.

As a speculative design project, My Digital ID proposes that in 2030 the US creates an easy-to-use, secure government identification app that allows a user to have their personal identification documents at the tip of their fingers. With this app, you can store your license, social security card, passport, and birth certificate on your phone.

Graphic DesignFirstname Lastname is a junior in the Graphic Design program. As a multi-disciplinary designer, Lastname works with speculative design, digital design and bio-design processes. Lavens Maginnis is a senior in the Graphic Design program. As a multi-disciplinary designer, Maginnis works with speculative design, digital design and branding design

"Speculative Design: 2030, NutriTrack" As a speculative design project, NutriTrack proposes that by 2030 a digital pill can be used to measure your nutrition levels from inside the small intestine. The data collected by the pill is transferred to your NutriTrack App on your phone. The aim is to provide more accurate information that can help individuals improve their health.

Kendra Love is a junior in the Graphic Design program. As a multi-disciplinary designer, Love works with speculative design, digital design and bio-design processes.

As a speculative design project, Bio-Active Display proposes that by 2032 new method for monitoring your skin’s health will be available, providing real-time feedback that helps reduce skin cancer. These displays change color in real time as molecular changes occur in the skin, enabling earlier detection and timely treatment.

Nick Patterson is a junior in the Graphic Design program. As a multi-disciplinary designer, Patterson works with speculative design, digital design and motion design processes.

As a speculative design project, Votive proposes that by 2032 the voting process will be redesigned to increase voter turnout. Votive will provide modular, digital voting booths distributed throughout a city near entertainment venues such as a movie theater, concert hall, or sporting arenas. After voting, citizens can enjoy their favorite entertainment experience, the ballot completion status serving as an entry ticket.

Carly DeSimone is a junior in the Graphic Design program. As a multi-disciplinary designer, DeSimone works with speculative design, digital design and bio-design processes.

“Bright Needle Rush” Sarrina Muehleisen, Kendra Love, and Carly DeSimone. “Bright Needle Rush” was developed during a Biodesign studio class. As part of the studio, students visited the Grand Bay National Estuarine Research Reserve, along the Gulf Coast. Their aim was to use strategies from the emerging field of biodesign [1] to raise awareness about ecological issues at the Grand Bay Reserve. After visiting the Reserve, these students focused on the vital role that Black Needle Rush plays in reducing coastal erosion. “Bright Needle Rush” features a two lanterns made with Black Needle Rush, a coastal grass with a complex rhizomatic root structure that helps reduce the shoreline erosion. These lanterns act as discursive objects—designs that are imbued with stories and connections to specific places—and provide an example of a new type of craft: the creation of biomaterials that help foster a deeper connection to regional ecologies. The first lantern was made from a bio-composite material composed of Black Needle Rush that was milled and mixed with agar agar and glycerin. The bio-composite is pliable like plastic and translucent when light placed next to a light source, but it is organic and will biodegrade over time. The second lantern uses whole needles from the grass as a support structure. Together these two lanterns provide new material expressions for Black Needle Rush and act as narrative objects that encourage reflection about the plant’s role in reducing coastal erosion. [1] Biodesign is an multi-disciplinary approach to design that uses organic materials to address ecological issues.

Sarrina Muehleisen is a junior in the Graphic Design program. As a multi-disciplinary designer, Muehleisen has worked with print design, digital design and bio-design.

Kendra Love |
Architecture, Design and Construction
School of Industrial and Graphic Design
Industrial Design

Kendra Love is a junior in the Graphic Design program. As a multi-disciplinary designer, Love has worked with print design, digital design and bio-design.

Carly DeSimone | Undergraduate Student
Architecture, Design and Construction
School of Industrial and Graphic Design
Graphic Design

Carly DeSimone is a junior in the Graphic Design program. As a multi-disciplinary designer, DeSimone works with speculative design, digital design and bio-design processes.

The architectural space is characterized by its innovative integration of form and function, featuring distinctive cylindrical disks that emerge from curved, ventilated façades. This design creates a dynamic interplay between light and shadow that transforms throughout the day. During daylight hours, the structure serves a practical purpose through its thoughtful environmental design. The architectural elements work in harmony to create natural wind channels, while strategically placed components provide shade for pedestrians, offering comfort in the surrounding area. As night falls, the space undergoes a dramatic transformation. The design captures and manipulates moonlight, creating a tranquil atmosphere through cascading light patterns. This interplay of light and architecture results in a serene nocturnal environment. The design's aesthetic is symbolized by a sophisticated emblem that draws inspiration from the façade's geometric patterns. The symbol, composed of trapezoid-like shapes, cleverly suggests the silhouette of a person at a workstation, connecting the space to its identity as a hub for designers. Throughout, the architecture emphasizes curvature, translucency, and the masterful manipulation of light, creating an environment that evolves with the natural rhythms of day and night.

A determined, innovative individual with aspirations of becoming a residential architect. Very precise and intentional with the works created. Strengthened through Christ.

"Third Wednesdays" is a fictional company that aims to simplify the book club experience and make it easier for anyone to start and participate in their own book club

None provided

“From the Ashes” by Emiko Benton, Robert Gleason, Evan Phillips in collaboration with Carly DeSimone and Rae Nawrocki. “From the Ashes” is an interactive installation that promotes public education about the ecological importance of prescribed burns. This project was developed during a Biodesign studio class. As part of the studio, students visited the Grand Bay National Estuarine Research Reserve, along the Gulf Coast. Their aim was to use strategies from the emerging field of biodesign [1] to raise awareness about ecological issues at the Grand Bay Reserve. One of the key stewardship goals of the Grand Bay Reserve is to manage the longleaf pine ecosystem using controlled burns to promote a healthy habitat. Inspired by this stewardship goal, Benton developed a design proposal to use charcoal from prescribed burns to create a handmade “Grand Bay Ink.” Together with Gleason and Phillips, they also designed and fabricated an interactive, educational display that allows viewers to use the “Grand Bay Ink” to create their own wood block prints with sections of pine logs. In collaboration with DeSimone and Nawrocki, they develop an educational video and packaging label for the “Grand Bay Ink.” The ink and the display were designed to promote experiential learning and could theoretically be installed at a science gallery or the Grand Bay Resource Center. Through the interactive display, participants can engage in hands-on artistic activities while simultaneously learning about the importance of prescribed burns for habitat management. [1] Biodesign is an multi-disciplinary approach to design that uses organic materials to address ecological issues.

Emiko Benton is a senior in the Auburn University Graphic Design Program from Madison, Alabama. She enjoys mixing hand and digital processes in her work.

The Atlanta Design Festival is a week long event that invites creatives and organizations in the area to put on workshops, architecture walks, installations, film screenings, panels and more. It is supported by, MA! Design is Human Atlanta, a creative enterprise platform. The main theme of the Creative Futures Conference is that they wish to build relationships and create culture showing the importance of the design economy. The purpose of this poster is to not only bring awareness and advertisement to the festival, but also to spark larger conversation around the topic through words and type. The Creative Futures Conference is part of the festival and promotes the ways design can bring about radical transformation in culture and community. The work will catch the eye of the viewer and make them want to learn more about the topic and attend the events that take place during the week. The audience is mainly geared toward creatives in the Atlanta metropolitan area. It should be able to attract more creative disciplines rather than only graphic designers. A secondary audience is that of financial and business workers that want to support the design economy of their city. And a tertiary audience being that of any civilian interested in the topic to attend only one or a few events that interest them.

Emiko Benton is a senior in the Auburn University Graphic Design Program from Madison, Alabama. She enjoys mixing hand and digital processes in her work.

Robert Gleason |
Architecture, Design and Construction
School of Industrial and Graphic Design
Graphic Design

Robert Gleason is a senior in the Graphic Design program. As a multi-disciplinary designer, Gleason has worked with print design, digital design and bio-design.

Evan Philips | Undergraduate Student
Architecture, Design and Construction
School of Industrial and Graphic Design
Graphic Design

Evan Phillips is a senior in the Graphic Design program. As a multi-disciplinary designer, Phillips has worked with print design, digital design and bio-design.

This is a perspective sketch of the Auburn Team Shop Building next to Ingram Hall in downtown Auburn. The completed work is a pencil sketch on paper. It was an assignment during our freshman year, meant be part of our portfolio to determine our entrance into the INDS major. I have never worked much with architectural sketches before and tended to focus on people and animals, but I really enjoyed working on this piece.

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Type of performance: Commercial Voice Original Piece by Walter Lloyd Performed by Walter Lloyd and Colson Cwynar

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Colson Cwynar |
Liberal Arts
Music
Music: Voice Track

Type of performance: Commercial Voice Original Piece by Wren Rivers Performed by Wren Rivers

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Type of performance: Saxophone Quartet Written by Jerome Naulais Performed by Ricky Whorms (soprano saxophone), Reese Houch (alto saxophone), Parker Megginson (tenor saxophone), Sarah Horner (baritone saxophone)

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Reese Houck |
Agriculture
Entomology and Plant Pathology
Entomology and Plant Pathology

Parker Megginson | Undergraduate Student
Samuel Ginn College of Engineering
Electrical and Computer Engineering
Computer Engineering

Sarah Horner | Undergraduate Student
Liberal Arts
Music
Music

Type of performance: Musical Theatre song from "She Loves Me" Performed by Emma Grace Ramb

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Type of performance: Musical Theatre song from "Ordinary Days" Performed by Hali Everette

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Type of performance: Commercial Voice Original Piece by Colson Cwynar Performed by Colson Cwynar

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Type of performance: Commercial Voice by Lunar Parque Performed by Sally Little and Wren Rivers

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Wren Rivers |
Liberal Arts
Music
Music: Voice Track

"Type of performance: Musical Theatre song from ""Waitress"" Performed by Catherine Govignon

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Type of performance: Tap Dance Created by Adrienne Wilson, Jeri Dickey, and Andrew Lynch Performed by Caroline Erickson and Andrew Hayworth

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.

Andrew Hayworth |
Samuel Ginn College of Engineering
Computer Science and Software Engineering
Computer Science

Type of performance: Mosaic Theatre Company exerpts from "Citizen" by Claudia Rankine 2025 company members: Daisha Flint, Emma Hruska, Hannah Castarphen, Michaela Williams, Kate Johnston, Romelo Blackmon, Abby Bowling, lily Sfida, Berkley Peacock Co-Directors: Abdul-Khaliq Murtadha and Tessa Carr

I'm a junior interior design student who has always enjoyed art, especially sketching. Starting my freshman year here at Auburn, I began sketching architecture.